Kit lenses are an essential part of nearly every photographer’s journey, yet they receive a lot of criticism from established photographers.

But is this criticism deserved? Honestly, I don’t think so. Sure, these lenses might not have the widest apertures or the sharpest optics, but they’re far from useless. In fact, they offer several key benefits and can be a valuable asset to photographers of all levels.

In this article, I explore the ins and outs of kit lens photography. I share the strengths and weaknesses of these little lenses, and I also share my favorite tricks and techniques to maximize their potential.

So whether you’re a beginner looking to make the most of your basic glass or a seasoned pro seeking a fresh perspective, buckle up and get ready for an eye-opening journey!

What is a kit lens?

A kit lens is a lens that comes bundled with a camera. It’s typically inexpensive and offers basic features that cater to the needs of entry-level photographers.

One notable kit lens characteristic is a generous focal-length range. These lenses aim to cover a wide spectrum of shooting scenarios so beginners can capture a wide variety of subjects and compositions.

The most common kit lenses are 18-55mm models, although variations like 16-50mm and 15-45mm do exist. There are also telephoto kit lenses available, which often span from 55-200mm. (Some cameras even offer the option to bundle two kit lenses together: an 18-55mm model and a telephoto model!)

It’s important to note that not all cameras come with kit lenses. The more expensive the camera, the less likely it is that it’ll come with a lens.

(Higher-level cameras do sometimes include the option to bundle in a lens for a discount, but these products are usually much more expensive and don’t have the basic kit-lens characteristics.)

Reasons to use a kit lens for your photography

Not sure if a kit lens is right for you? Here are some reasons why you might want to use that handy kit lens instead of purchasing a different model:

1. Kit lenses are inexpensive

Lenses can be eye-wateringly expensive. In fact, intermediate-level lenses often cost more than a camera!

Fortunately, kit lenses break the pattern. They offer a budget-friendly option for photographers who are just starting out or don’t have thousands of dollars to spend. Since most kit lenses are priced at a few hundred dollars, they provide an affordable entry point into the world of DSLR and mirrorless photography.

Plus, even if you have extra money, you can spend it on other essential accessories. Investing in a sturdy tripod or a versatile lighting setup can greatly enhance your photography. So if you’re looking to stretch your dollar, a kit lens is a practical choice.

2. Kit lenses are compact and lightweight

When it comes to convenience and portability, kit lenses reign supreme. These compact and lightweight products are great for travel photographers. Imagine effortlessly attaching a lens to your camera and capturing the world without being weighed down by bulky equipment. That’s the beauty of a kit lens.

Because kit lenses are so portable, you can carry them with ease, whether you’re strolling through the city streets or venturing into the great outdoors. Pop one in your pocket, slip it into your purse, or tuck it snugly in your backpack, and you’re good to go. No need to lug around heavy lenses that make your shoulders ache!

But it’s not just about convenience. The compact size of kit lenses offers another advantage: inconspicuousness. Whether you’re shooting candid street scenes or capturing memorable moments at events, blending into the surroundings is key. Kit lenses, with their unassuming appearance, allow you to fly under the radar and capture authentic moments without drawing unwanted attention.

3. Kit lenses offer a great range of focal lengths

One of the major advantages of using a kit lens is the versatile focal length range. They’re specifically designed to give photographers the most bang for their buck, ensuring that they can capture a wide range of subjects without needing to invest in multiple lenses.

Imagine you’re out exploring a breathtaking landscape, and you want to capture the vastness of the scene. With an 18-55mm kit lens, you can zoom out to 18mm and capture the expansive beauty of the environment.

Now let’s switch gears and say you’re strolling through a bustling city street. You spot some intriguing architecture and decide to take a shot. With the same kit lens, you can zoom in to around 35mm and capture the details of the building.

But what if you come across a charming face in the crowd and you want to capture a captivating portrait? No worries! Simply zoom in to 55mm, and your kit lens will allow you to create a beautiful portrait with a pleasing background blur.

And if your camera comes with a telephoto kit lens, you can capture all sorts of subjects, including wildlife, pets, and birds.

So whether you’re photographing landscapes, street scenes, portraits, or even wildlife, a kit lens has got your back. Its focal length range offers you the flexibility to adapt to different shooting situations, ensuring that you’re always ready to capture a great photo. Don’t underestimate the power of a single lens that can do so much!

Kit lens drawbacks

Now it’s time to talk about the not-so-glamorous side of kit lenses. While they have their strengths, it’s important to be aware of their limitations. Here are a few drawbacks to consider:

1. Kit lenses offer poor build quality

Kit lenses aren’t the toughest kids on the block. They often have a plasticky feel (it’s one of the ways manufacturers keep the prices down).

Now, if you’re a casual shooter or work in relatively safe conditions, this might not be a big concern for you. But if you find yourself frequently venturing into the great outdoors, whether to sandy beaches, snowy landscapes, or rainy streets, your kit lens might struggle to cope with the elements.

Unlike their more expensive counterparts, kit lenses generally lack rugged designs and weather sealing. So it’s worth considering whether you need that extra level of durability and protection. If you’re the adventurous type or shoot in challenging environments, investing in a sturdier lens could be a smart move.

2. Kit lens optics are less impressive

When it comes to image quality, kit lenses do have their limitations. While they are certainly capable of capturing professional-level images, they often fall slightly short compared to their more expensive counterparts, especially in terms of overall sharpness.

Now, don’t get me wrong: Kit lenses are not inherently soft or unusable. In fact, for most casual shooters, the difference in image quality between a kit lens and a non-kit lens isn’t even noticeable. However, if you’re someone who values razor-sharp details and wants to squeeze every bit of clarity out of your shots, you might find that kit lenses can be a tad softer, particularly at wider apertures.

Ultimately, if image quality is a top priority for you and you demand absolute precision, then investing in higher-end lenses might be worth considering. On the other hand, kit lenses provide more than adequate image quality for everyday shooting – and with the right techniques (explored below), they can be used to produce professional shots.

3. Kit lens autofocusing can be slower

In my experience, kit lenses can feel a bit sluggish when acquiring focus. If you’re shooting subjects in motion, such as sports, wildlife, pets, or even hyperactive kids, this can be a serious concern.

It’s not all doom and gloom, however. If your photography mainly revolves around still subjects like landscapes, products, or flowers, the slower autofocus of a kit lens won’t pose much of a problem.

But if you find yourself drawn to fast-paced action or capturing split-second moments, you may become frustrated by the plodding autofocus of a kit lens – and it could be a good idea to look at more action-focused glass.

4. Kit lenses have narrow maximum apertures

Every lens has a maximum aperture, which determines how much light it can let in. Professional lenses often boast maximum apertures of f/2.8 or even wider, and this allows for handheld shooting in low-light conditions. It also helps create that dreamy background blur photographers love.

Kit lenses, on the other hand, have more modest maximum apertures. At the wide end of the focal length range, kit lenses usually offer a maximum aperture of around f/3.5 or f/4, and at the telephoto end, such as 55mm, the maximum aperture can be as small as f/5.6. These apertures are fine for shooting in daylight or well-lit environments, but they aren’t so great for low-light situations, and they’re also not ideal if you’re looking to create shallow depth-of-field effects.

That said, kit lenses can still produce great images within their limitations. If you plan to work in bright light or use a tripod, you’ll have no trouble capturing stunning shots. Additionally, understanding the characteristics of your lens and making the most of its capabilities is key. Learning to adapt your shooting techniques and leveraging the available light will help you overcome the challenges posed by narrow maximum apertures.

5 kit lens photography tips

If you’ve decided that you like the idea of shooting with a kit lens, here are a handful of tips to start you off:

1. Carry your lens with you everywhere

One of the best things about using a kit lens is its portability – and that’s why I encourage you to carry your kit lens with you everywhere you go.

After all, you never know when inspiration might strike or when you’ll stumble upon an incredible scene. By having your lens mounted on your camera and at the ready, you’ll be prepared to seize those spontaneous moments that make for the most memorable photographs.

At first, taking your gear everywhere might feel like a bit of a hassle, but the rewards will be worth it. So make it a habit to keep your kit lens within reach, whether you’re going for a walk in the park, traveling to a new city, or even just running errands.

2. Narrow the aperture for sharper photos

Are your kit lens photos looking a tad soft? It’s a common problem – but did you know that by narrowing the aperture setting, you can enhance the overall sharpness of your photos?

Here’s how to do it:

First, set your shooting mode to either Aperture Priority or Manual. This will give you control over the aperture setting. (If you’re unsure of how to switch between modes, consult your camera manual.)

Next, locate the knob or dial on the back of your camera that adjusts the aperture and turn it to increase the f-stop.

Wide apertures, represented by smaller f-stop numbers (e.g., f/2.8), tend to produce softer shots, especially when using a kit lens. But by increasing the f-stop number, you narrow the aperture, which results in sharper images.

Be mindful not to push the aperture too far, as ultra-narrow apertures can cause diffraction, leading to a loss of overall sharpness. Additionally, narrow apertures may force your camera to use slower shutter speeds to compensate for the reduced light, which can introduce motion blur if you’re handholding the camera. Consider using a tripod or adjusting other exposure settings, such as ISO, to maintain optimal image quality.

Every lens is different, but after narrowing the aperture, you may discover that your kit lens is capable of delivering remarkably sharp results. Experiment with different aperture settings to find the sweet spot that suits your desired level of sharpness (and depth of field).

3. Start thinking about the light

Light has the power to transform an ordinary scene into something extraordinary – and as you delve into photography, it’s crucial to start observing and understanding the role of light in your images. In fact, if an image has great light, it often doesn’t really even matter if it’s tack-sharp.

The best light often appears during the golden hours, the times just after sunrise and just before sunset. The sun’s rays become warm, soft, and flattering. It’s a time when landscapes glow, portraits come alive, and even the simplest subjects gain a touch of enchantment.

But don’t limit yourself to only shooting with golden-hour light. Great photos can be captured on cloudy days or even in the harsh light of midday. Each lighting situation presents unique opportunities and challenges. Cloudy days, for example, provide a soft, diffused light that can add a sense of moodiness, while bright sunny days will help produce vibrant colors and strong contrast.

Take the time to experiment with different lighting conditions. Venture out in various situations and observe how the light interacts with your subjects. Pay attention to the direction, intensity, and quality of light. Notice the interplay of shadows and highlights, and how they can shape the mood of your photos.

Over time, you’ll develop a keen eye for understanding and utilizing light to its fullest potential. You’ll learn to adapt your shooting techniques and settings to the specific lighting conditions, maximizing the capabilities of your kit lens.

4. Experiment with creative techniques

Kit lenses are perfect for anyone looking to push the boundaries and explore the artistic side of photography, in part because the low price means you don’t have to worry quite so much about their well-being.

One technique you can try is freelensing, which is somewhat unconventional but can give great results. Simply detach your lens from the camera body and hold it in front of the sensor, tilting it at different angles to create a selective focus effect. It’s a bit risky, as dust can find its way into your camera or you might accidentally drop your lens. However, when done carefully, you’ll be amazed by the dreamy, ethereal images that you can achieve.

Another creative technique worth trying is intentional camera movement (ICM). By deliberately lengthening your shutter speed and then moving your camera while pressing the shutter button, you can produce wonderfully captivating abstract images.

So don’t be afraid to step out of your comfort zone and experiment with these creative techniques. Embrace the freedom that your kit lens provides, and let your imagination run wild!

5. Get close to your subjects

While kit lenses may not offer true macro magnifications, don’t underestimate their close-focusing capabilities. Often, you can get a lot closer to your subjects than you might think!

I encourage you to take a moment and test out your kit lens’s minimum focusing distance. You might be pleasantly surprised by how much detail you can capture, and once you’ve started exploring the macro world, you’ll never want to stop. From flowers to fabrics, insects to leaves, and even the intricate details of eyes, there’s so much waiting to be photographed.

When diving into close-up photography, keep in mind a few tips to get the best results. First, stability is key. As you get closer to your subject, any slight movement can result in blur. Consider using a tripod or stabilizing your camera against a solid surface to ensure tack-sharp images.

Secondly, pay attention to lighting. Small subjects often require careful lighting to bring out their textures and details. Experiment with a variety of lighting techniques, such as natural light at different times of the day and even using a small LED to create interesting effects.

Lastly, don’t be afraid to get creative with your compositions. Explore different angles and depths of field effects to highlight the unique characteristics of your subject. Play with selective focus to draw attention to specific details and create visually striking images.

Kit lens photography: final words

We’ve reached the end of our epic journey into the world of kit lens photography. I hope you’ve come to realize that these little units are worth a lot more than you might have originally thought!

Sure, kit lenses may not have the reputation or the specs of their pricier counterparts, but they bring a whole lot to the table. They’re affordable, portable, and versatile, giving you the freedom to capture a wide range of subjects without breaking the bank.

Remember, though, kit lenses do have their limitations. The build quality may not be especially rugged, the optics may not be tack-sharp, and the autofocus may not be lightning-fast. But with a little know-how and some experimentation, you can overcome these hurdles and create compelling photos.

So don’t feel you need to upgrade the moment you purchase a camera. Recognize that your kit lens can take stunning photos – as long as you know how to use it well!

Now over to you:

Do you use a kit lens? If so, what do you think of it? Are you pleased with it? Do you plan to upgrade? Share your thoughts (and images) in the comments below!

The post Kit Lens Photography: The Ultimate Guide (With 18-55mm Examples) appeared first on Digital Photography School. It was authored by Andrew S. Gibson.

All photographers find themselves suffering from Gear Acquisition Syndrome (or GAS, if you don’t mind) at one time or another. It’s easy to fall into the trap of thinking that the next piece of gear is the missing puzzle piece that will magically transform you into a master photographer. So you keep buying, and buying, and buying some more, until you find yourself surrounded by a mountain of camera bodies, lenses of every focal length, lighting equipment that could rival a Hollywood studio, and enough tripods to start your own store.

Am I exaggerating for effect? Maybe a little. But falling into the trap of thinking that buying a new camera, lens, or photo accessory will instantly level up your photography skills is something we’ve all been guilty of doing, and it’s essential that you address the problem before you’re left with a sense of frustration and a disturbingly empty bank account.

Fortunately, there are effective approaches to keep GAS at bay and ensure that your gear collection doesn’t spiral out of control. In this article, we will explore a handful of strategies that will help you make informed decisions, prioritize your investments, and make the most out of the gear you already have.

Ready to tame that Gear Acquisition Syndrome? Let’s dive right in!

1. Keep your kit lens

One of the first mistakes many photographers make after mastering their DSLR is hastily selling off their trusty kit lens in pursuit of pricier glass. But hold your horses, my friends, because that’s not the way to go.

Here’s the deal: Kit lenses may not be the most glamorous, but they pack a punch when it comes to versatility and convenience. Despite their limitations, they can deliver the results you desire in most situations. So, let’s not be too quick to dismiss them. In fact, keeping your kit lens by your side can be a game-changer.

Typically covering a range of 17-55mm, these lenses offer a nifty blend of wide-angle and short telephoto capabilities, especially on APS-C cameras. This means they can handle everything from expansive landscapes to stunning portraits with ease. And here’s the real kicker: when you find yourself yearning for that jaw-dropping, wallet-draining wide-angle lens, your trusty kit lens can save the day.

Instead of splurging your hard-earned cash right away, take a moment to experiment with your kit lens. It allows you to test the waters, explore new interests, and figure out if that shiny new lens is a true necessity or just a passing temptation.

2. Change your environment, not your gear

Often, Gear Acquisition Syndrome creeps in when boredom or a sense of stagnation takes hold. You start feeling like your photography isn’t improving, and the only solution seems to be splurging on more gear.

Thankfully, there’s another path to reignite your creativity. In my experience, the simplest way to breathe new life into your photography with the equipment you already have is to change what you’re capturing. Embark on a spontaneous road trip, let the sea inspire you, conquer a hill for an awe-inspiring view, or venture into a different neighborhood and uncover its hidden gems.

But don’t worry, it’s not all about travel. If you’re always capturing landscapes, switch it up and see how your skills translate to portraiture. And if you’re passionate about still-life photos, get creative by visiting a local hardware store and grabbing wooden planks and marble tiles to use as unique backdrops in your images.

Boredom is a sneaky adversary, but by shaking up your surroundings and seeking out new subjects, you’ll instantly tap into a wellspring of inspiration. Best of all, this approach is much more affordable than constantly indulging in new cameras or lenses.

3. Get up early to shoot

It’s a piece of advice that gets thrown around so often, it’s practically a cliché. But let’s face it—it’s true. Setting that alarm clock a little earlier and rising with the sun is a game-changer for your photography, and it won’t cost you a penny.

There’s something magical about the light at sunrise. It paints the world with a crisp, misty, lemony glow that brings scenes to life.

And if you’re more of an afternoon person, consider waiting for those evening moments when the sky is drenched in rich hues of red and gold. These golden hour lights have the power to transform any subject, turning an ordinary scene into something extraordinary. No fancy lens purchase can replicate the wonders of nature’s shifting light.

By embracing the early bird advantage, you open yourself up to a limitless spectrum of light that adds depth, drama, and a touch of enchantment to your photographs. It’s a secret weapon that can elevate your images from good to breathtaking. So, set that alarm, rise before the world awakens, and witness the magic unfold before your lens. Trust me, it’s an experience worth savoring.

4. Join an ongoing photography challenge

Joining a photo challenge can breathe new life into your photography journey. Whether it’s a daily 365 photo challenge, a focused 30-day photo sprint, or a weekly challenge, it has the power to refresh your eye for photography. They not only help you avoid creative roadblocks but also allow you to build a compelling body of work over time. So why not dive in and let the challenges spark your creativity?

Shaking up your shooting approach can often be more impactful than changing your gear. Have you tried experimenting with HDR photography? How about exploring new post-production techniques to enhance your images? Or perhaps embark on a photo series that demands a symmetrical perspective. These challenges provide an opportunity to step out of your comfort zone and explore new horizons, all without the need to splurge on new gear.

Photo challenges are not just about pushing your technical skills, but also about discovering fresh techniques and ideas. Embrace the excitement of trying something different, breaking free from routine, and capturing images that surprise even yourself. So, take the plunge, embrace the challenges, and watch as your photography blossoms into new realms of creativity!

5. Limit yourself

They say the best camera is the one you have with you. We often get so fixated on the gear we think we need that we forget the most crucial element in creating a great picture: the photographer. Exceptional photography stems from the creative eye behind the camera, not the camera itself.

Instead of constantly chasing new gear, why not take a break and challenge yourself to use just your phone camera? It might sound crazy, but limitations can be the catalyst for creativity. Embracing a more basic tool forces you to focus on the core principles of photography: composition, color, texture, symmetry, subject, style, and more. This minimalist approach sharpens your eye, and when you eventually return to your beloved gear, it will feel like unlocking a treasure trove of possibilities.

6. Try macro photography without a macro lens

Some types of photography may seem impossible without investing in specialized equipment. Macro photography often falls into that category. After all, how can you achieve the necessary close focus without a dedicated macro lens? But fear not, because there are a few clever ways to dip your toes into macro photography before making a costly purchase.

Let’s start with a technique called freelensing. Imagine detaching your lens from the camera’s lens mount and holding it freely in front of the sensor. As you move the lens back and forth, something magical happens. You not only capture a dreamy, light-leaked aesthetic but also unlock the lens’s ability to focus at much closer distances. It’s a cost-free method to test the waters of macro photography. However, keep in mind that controlling light leaks can be tricky, and achieving a steady shot becomes nearly impossible.

To overcome these challenges, consider using extension tubes. These inexpensive tubes mimic the effects of free lensing while minimizing light leaks and reducing camera shake. If you’re willing to spend a bit more, you can even opt for auto-focus (AF) equipped versions. These affordable solutions allow you to explore the world of macro photography without making a significant dent in your bank balance, unlike purchasing a dedicated macro lens.

7. Collaborate with models

When you find yourself trapped in a creative rut, fixated on acquiring new gear as a solution, why not break free from that cycle and try something different? Instead of solely focusing on gear, consider working with new and inspiring subjects instead.

Platforms like Model Mayhem or Purple Port offer opportunities to connect and collaborate with talented models. It’s a chance to infuse fresh energy into your photography. Working with models opens up a world of possibilities to experiment with new techniques and styles. And remember, it’s not just about portraiture—food photographers may need models to be the hands in their images, while lifestyle photographers may require someone to build a campfire in a captivating landscape scene. Let your imagination run wild and explore the endless creative potential that collaboration brings.

8. Shop for bargains

When you find yourself teetering on the edge of succumbing to Gear Acquisition Syndrome (GAS), there’s still hope to satisfy your craving without breaking the bank. Explore the realm of bargain hunting, and you might just stumble upon hidden treasures that won’t drain your wallet.

Start by scouring platforms like eBay and Etsy, where unexpected gems await. Vintage lenses, with their remarkable optics, can be found at a fraction of the price of their modern counterparts. Just ensure you have the right adapter for your lens mount, and you’ll unlock a world of photographic possibilities without emptying your pockets.

But that’s not all. Reputable sellers like B&H Photo Video offer a wide array of secondhand cameras, lenses, tripods, and lighting gear. Rest assured, these items are thoroughly tested to guarantee they’re in working order. Plus, you might even score a warranty, giving you peace of mind while saving potentially hundreds on your purchase.

And remember, patience pays off! Keep a vigilant eye out for sales on new gear. Even the latest and greatest gadgets sometimes get their price slashed. So, if you can resist the immediate gratification and wait for the opportune moment, you could snag that shiny new camera or lens at a tantalizingly low price.

How to avoid Gear Acquisition Syndrome: final words

It might be hard to believe at first, but the real magic of photography lies not in the number of gadgets and gizmos in your camera bag, but in your ability to see the world through a lens and capture moments that stir the soul.

Gear Acquisition Syndrome (GAS) will lure you with promises of pixel-perfect images and unlimited creative possibilities. But you must resist and stay focused on what truly matters: your vision, your passion, and your unique perspective.

Instead of constantly chasing the latest and greatest gear, take a step back and evaluate what you truly need to enhance your photography. It’ll help you improve far faster than simply hitting the “Buy” button on cameras and lenses.

Now over to you:

Do you suffer from Gear Acquisition Syndrome? Do you have any additional tips that I missed? Share your thoughts in the comments below!

The post 8 Effective Ways to Avoid Gear Acquisition Syndrome appeared first on Digital Photography School. It was authored by Laura Hexton.

Earlier this week, Canon officially unveiled the EOS R100, a compact, affordable RF-mount mirrorless camera “designed for new, first-time mirrorless…or existing interchangeable camera users who previously enjoyed EOS Rebel or EOS M cameras.”

While the Canon EOS R series originally only featured full-frame cameras, the company has added a handful of APS-C models in recent months in an attempt to broaden the lineup’s appeal for hobbyists and beginners. Yet none of the APS-C RF-mount cameras have been as portable or budget-friendly as the newly announced EOS R100; Canon is hailing the R100 as “the smallest and lightest EOS R series camera” ever built, and the company’s press release promises an “estimated retail price of $479.99 for body only…[or] $599.99 with the RF-S 18-45mm f/4.5-6.3 IS STM lens.”

In other words, the EOS R100 will be an RF-mount camera for absolute beginners: folks just exploring photography for the first time, content creators requiring a camera for both video and stills, and smartphone or casual shooters looking to take a step up. And indeed, the sub-$500 price is genuinely impressive, but with budget models like these, it’s always important to ask: Was Canon forced to sacrifice key features in order to cut costs? 

We haven’t yet gotten our hands on a copy of the EOS R100, but looking at the specification sheet, the answer seems to be a “no.” Here’s what the camera offers:

• A 24 MP APS-C sensor
• 6.5 FPS continuous shooting
• 4K/24p video
• A 2.36M-dot electronic viewfinder
• Dual Pixel CMOS AF with 143 focusing zones
• Eye Detection AF

These aren’t standout features, of course, but they’re a reasonably robust set of specs that’ll allow beginners to capture high-quality photos and even video as needed. Additionally, as mentioned above, the EOS R100 is extremely compact, making it a great option for frequent travelers as well as anyone looking for a camera to carry around. 

The new camera does come with one clear drawback, however: The LCD screen is neither fully articulating nor touch sensitive. Presumably, Canon decided to drop these features in order to budget for an electronic viewfinder, but a fully articulating touchscreen is such a ubiquitous EOS R series element that it’s hard not to be disappointed. The lack of touch functionality will make focusing – especially for folks who are used to tapping to focus on a smartphone – a much more laborious process, while the fixed screen will significantly limit the camera’s use for video and especially vlogging.

Honestly, though, the loss of an articulating touchscreen feels like a small price to pay, especially given the inclusion of an EVF. At the end of the day, the EOS R100 seems like a great little option for a variety of beginners, so if you’re looking for a $500 camera that’ll give you access to a solid set of shooting capabilities, you can preorder it on B&H’s website. Note that the EOS R100 will likely begin shipping in either late June or July, so you shouldn’t have too long to wait.

Now over to you:

What do you think of the Canon EOS R100? Would you consider purchasing it? Share your thoughts in the comments below!   

The post Canon Announces a Sub-$500 EOS R Camera, the EOS R100 appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

At 10:00 EDT on May 23rd, Sony will announce a new “all for vlogging” camera, according to a banner posted on the company’s website.

While the banner shared no camera details – only that a new, vlog-focused model will be unveiled, as well as the date and time – Sony Alpha Rumors had recently promised a ZV-1 successor announcement, and the rumor site appears confident that the upcoming launch does indeed refer to a ZV-1 II. (While the camera’s name is unknown, we’ll use the “ZV-1 II” moniker until we hear otherwise.)

The original ZV-1 debuted back in May of 2020 and boasts a variety of vlogging-focused features, including a compact, portable body, a flip-out screen, 4K/30p video, excellent autofocus, a high-quality built-in microphone, and a small but effective 20.1 MP 1-inch sensor.

Note that the ZV-1, as a true compact camera, doesn’t offer interchangeable lens compatibility; rather, the camera boasts a 9.4-25.7mm f/1.8-2.8 Zeiss lens, which translates to a 24-70mm focal-length range when applying the 1-inch sensor crop factor – perfect for vlogging, standard video recording, and a range of still photography genres. Additionally, the wide maximum aperture (f/1.8 when shooting at 24mm, shifting to f/2.8 when shooting at 70mm) allows for significant background blur, always handy when vlogging in busy locations.

So what will the ZV-1 II offer? While Sony (and Sony Alpha Rumors) hasn’t revealed any specifics, you can certainly expect the ZV-1 II to remain true to the original version while offering a handful of key upgrades. Per Sony’s teaser, the ZV-1 II will be another vlogging-centric model, so the compact form factor, the flip-out screen, and the effective built-in microphone will undoubtedly be present. The 1-inch, 20.1 MP sensor may receive some hardware upgrades to improve dynamic range and low-light shooting, but its core specs will likely remain the same.

However, I would look for videography enhancements. The ZV-1 II may jump from 4K/30p to 4K/60p shooting, and Sony may pack in a couple of modes for easy content creation. I’d also look for autofocus upgrades for improved face and eye tracking; that way, focusing while vlogging handheld will be simpler than ever.

As for the price: I’d expect a ZV-1 II to cost in the $800-$900 range – reasonable enough to appeal to vloggers and other content creators, but expensive enough to ensure real quality without sacrificing key capabilities.

So if you’re a vlogger, content creator, or even a beginner stills shooter, keep an eye out for the ZV-1 II announcement on May 23rd! 

Now over to you:

What do you think the ZV-1 II will offer? Would you be interested? Share your thoughts in the comments below!

The post Sony Will Announce the ZV-1 Successor on May 23rd appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

Are you struggling to find the perfect lens for your food photography adventures? You’re not alone! Food photography is a vast and diverse field, and choosing the right lens can make all the difference in capturing those mouthwatering shots that truly tantalize your audience.

In this article, we’re diving deep into the world of food photography lenses to help you find your culinary soulmate. Whether you’re shooting in a bustling kitchen or a controlled studio, going for wide-angle wonders or extreme close-ups, we’ve got you covered. We’re serving up our top 12 lens picks, encompassing options for all major camera brands and spanning a range of price points. By the time you’re done reading, you’ll have the perfect lens on your plate, ready to capture every delicious detail!

So let’s dig right in and discover our number one pick to make your food photos shine:

1. Nikon Z MC 105mm f/2.8 VR S

If you’re a Nikon Z-mount shooter, then you have to check out the Z 105mm f/2.8, which combines killer optics, a wide maximum aperture, and great focal length into a single package.

The 105mm f/2.8 is insanely sharp, which means you can capture your food in all its glorious detail, and the mid-telephoto focal length is perfect for capturing close-up shots of garnishes and specific food items, though you can also move back slightly to create images of full plates.

Thanks to the Vibration Reduction technology, you can photograph handheld in low light and still come away with solid shots – and if you’re working in extremely low light or with moving subjects (e.g., you’re photographing a chef as they prepare a dish in a dimly lit kitchen), the f/2.8 maximum aperture will make a huge difference.

The biggest drawback to the Z 105mm f/2.8 VR S is the price, but if you’re a serious food photographer in need of a pro-quality lens, it’s a stellar pick.

2. Canon EF 100mm f/2.8L Macro IS USM

If you’re a full-frame Canon shooter, then the EF 100mm f/2.8L is the best of the best; it promises astonishingly sharp images in almost any situation, and it’s an absolute dream to use.

The optics are incredible, and the build quality is exactly what you’d expect from a Canon “L” (luxury!) lens. You can focus down to 1:1, which makes for beautiful detail shots, or you can take a step back to capture photos that show the food in context.

The wide f/2.8 aperture allows you to shoot handheld in low-light situations, and thanks to Canon’s image stabilization technology, you can safely work at ultra-slow shutter speeds. The lens also separates the subject from the background with beautiful bokeh.

Yes, the 100mm f/2.8L is a bit expensive, but for the serious food photographer, it’s absolutely worth a look. On the other hand, if the L version is a little out of your budget, check out the “standard” Canon EF 100mm f/2.8 Macro USM. It might not be the luxury version, but it still delivers amazing food photographs (and for a much more affordable price).

3. Sony FE 90mm f/2.8 Macro G OSS

Medium telephoto lenses are great for tighter food photography, which is why the Sony 90mm f/2.8 (135mm on APS-C cameras) is perfect for serious food snappers who want to capture those beautiful detail shots.

The lens features a 1:1 reproduction ratio, so you can get astonishingly close to the food for a unique perspective, though you can also capture wider photos from a distance as needed.

If you like to shoot handheld, then you’ll appreciate the built-in image stabilization – this can be especially helpful in poorly lit restaurants and kitchens – and for food photographers who prefer to focus manually, there’s a big, grippy focus ring at the end of the barrel.

Optically, the 90mm f/2.8 is top of the line, and the high-quality elements reduce distortion and color fringing. While it’s on the pricier side, you pay for what you get – and with this lens, you get a lot.

4. Canon RF 100mm f/2.8L Macro IS USM

This Canon 100mm lens is the RF (i.e., mirrorless) version of the Canon EF 100mm f/2.8L featured above, and it is spectacular.

The RF 100mm f/2.8L Macro IS USM inherited all of the best features from the original EF model, including breathtaking optics and beautiful background bokeh; with the RF 100mm f/2.8L, creating ultra-sharp shots is practically effortless. The lens is also wonderfully designed, with a large – and sufficiently grippy – focus ring for folks who manually focus on their food.

You can create beautiful detail shots thanks to the 1:1 maximum magnification ratio, and while the lens is a little long for capturing photos of entire tables or counters, you can certainly produce nice images of entire plates.

One feature not present in the original 100mm macro is the spherical aberration ring, which lets you modify the look of the bokeh. If you like to shoot with a tripod at ultra-narrow apertures, this won’t make much of a difference – but if you’re a fan of that soft-focus, wide-aperture effect, then it’s definitely a tool worth exploring.

The RF 100mm f/2.8L is on the pricier side, but for professional food photographers or even serious hobbyists, it’s absolutely worth the cost.

5. Canon EF-S 60mm f/2.8 Macro USM

If you use a cropped-sensor Canon DSLR, you’ll need an EF-S lens, ideally one with close-focusing capabilities and a midrange focal length. The Canon EF-S 60mm f/2.8 is the perfect choice.

Thanks to the 1.6x Canon APS-C crop factor, you’ll get a nice 96mm focal length equivalent – long enough to prevent any wide-angle distortion, but not so zoomed-in as to become unwieldy, especially when photographing tabletop compositions.

As a true macro lens, the 60mm f/2.8 is capable of magnifying small subjects to life-size, so you can emphasize food intricacies and highlight every tiny detail. The optics are great, too, so you can expect pro-level sharpness with every click (assuming you’re using the right techniques, of course!).

The f/2.8 maximum aperture offers enough light to shoot handheld in good light, and it’s easy to create a blurred background that’ll make your hero ingredient pop. Plus, the lens is light and compact, so you can work comfortably in any kitchen or studio.

These days, the 60mm f/2.8 can be tough to find new, but it’s often available used for only a few hundred dollars – so if you can find a good copy, you’ll be in great shape.

6. Nikon AF-S 50mm f/1.8G

A good nifty-fifty lens can handle pretty much any type of photography, including food, and that’s where the Nikon 50mm f/1.8G comes in. It’s inexpensive, it’s optically impressive, and you can use it on Nikon DSLRs and mirrorless cameras alike (though to shoot it on the latter, you’ll need an FTZ adapter).

The rounded aperture blades create a beautiful circular bokeh when capturing shallow depth-of-field food shots – so when you’re shooting at the maximum aperture, and especially when getting up close, the results are spectacular.

If you’re just getting started with food photography, then a 50mm lens on a full-frame camera is a good way to get your feet wet; the standard focal length will provide a field of view closely matching the human eye, so you can confidently move back and forth between the food setup and the camera viewfinder.

The 50mm f/1.8 delivers tack-sharp images, plus it’s extremely portable (helpful for food photographers, including Instagrammers, planning to shoot on the go!). If you own a Nikkon full-frame mirrorless camera, you might also consider the Nikkor Z 50mm f/1.2 S. It’s expensive, but it’s also amazingly powerful.

7. Nikon 60mm f/2.8G Macro

The 50mm f/1.8 lens featured above offers an ultra-wide aperture – but what if you don’t need to shoot at f/1.8? In that case, I’d recommend the Nikon 60mm f/2.8, which loses a bit of light but makes up for it with top-notch close-focusing capabilities.

Happily, the 60mm f/2.8 offers true macro magnifications, so you can capture stunning close-up shots, while the 60mm focal length also allows for contextual images of food on the table. You can use the lens with both full-frame and APS-C cameras, though the 90mm APS-C focal length is less handy if you hope to capture environmental food shots.

At f/2.8, you can expect a beautiful bokeh effect, perfect for making your food photos stand out. Unfortunately, there’s no image stabilization – so while you may be able to get away with handholding in good light, you’ll always want to keep a tripod nearby.

8. Sony E 30mm f/3.5 Macro

If you’re just starting out in food photography and looking for an affordable little lens, consider the Sony 30mm f/3.5. On APS-C cameras, you’ll get a 45mm focal length equivalent – on the wider side, yes, but nice for more contextual food shots and helpfully compact for capturing your meals on the go. (Note that the 30mm f/3.5 is not designed for full-frame cameras; if you use any of Sony’s a7-series cameras, I’d recommend looking at the 90mm f/2.8 featured above.)

The Sony 30mm offers an f/3.5 maximum aperture, and while it’s not exceptionally fast, it does help keep the lens’s size and weight down, which is always helpful when shooting handheld (though in low light, you’ll want to bring a tripod).

Like several other lenses on this list, the Sony 30mm features 1:1 focusing, so you can fill the frame with the small details of any dish. Of course, you can also take a step back to capture the table, and you can even use the 30mm focal length to capture portraits, street scenes, and more. At just under $300, this lens is an absolute bargain.

9. Tamron SP 90mm f/2.8 Macro VC

If you like the idea of a longer macro lens but don’t want to shell out for one of the Canon 100mm f/2.8L lenses or the Nikon Z 105mm f/2.8 VR S, why not consider the Tamron 90mm f/2.8, which offers full macro capabilities and tack-sharp image quality for a very reasonable price?

Its elements are coated to minimize color fringing and ghosting, plus images are consistently gorgeous, especially when shooting at f/2.8. And thanks to the VC (Tamron’s version of image stabilization), you can capture sharp shots even in low light (while shooting in a dimly lit restaurant, for instance).

Note that the Tamron 90mm f/2.8 is available in several different mounts, including both Canon and Nikon – but the mounts are not interchangeable, so make sure you buy the correct one.

10. Canon EF 24-70mm f/4L IS USM

If you’re not ready to commit to one focal length for food photography, then you might do well with a zoom lens – one featuring a wide to short-telephoto range for a mix of image types. The Canon 24-70mm f/4L is very versatile, offering a perfect set of focal lengths plus great image quality for detail shots.

Unfortunately, the 24-70mm doesn’t offer true macro capabilities, but you do get a 0.7x magnification factor for some very nice close-ups. And while the maximum aperture isn’t as wide as the other choices presented in this article, the five-stop image stabilization promises sharp handheld photography in lower light.

Bottom line: For the budding food photographer after a more flexible lens, the Canon 24-70mm f/4L is a great choice. And it’s not too pricey, either, so it’s perfect for shooters looking to grab quality optics without breaking the bank.

11. Panasonic Lumix G Macro 30mm f/2.8 Asph Mega OIS

A 30mm lens on a Micro Four Thirds camera offers a 60mm full-frame equivalent focal length, so the Lumix 30mm f/2.8 provides a very natural perspective for standard food photography.

Don’t let the plastic build fool you; the 30mm f/2.8 delivers extremely sharp images even at its widest aperture, and if you’re shooting in the studio, you don’t really need tank-like build quality, anyway.

Plus, the lens is compact and lightweight, which makes it very easy to handle. It’s a great little lens for capturing food for social media; combined with a small camera like the Olympus OM-D E-M10 Mark IV, you can keep it in your bag or around your neck all the time and you’ll hardly even notice.

And if you like to shoot handheld, don’t worry; the lens offers image stabilization and a wide aperture, so you should do just fine even in low light. At around $300, it won’t be too hard on your wallet, either (always a bonus!).

12. Nikon PC-E 85mm f/2.8D Macro

Tilt-shift lenses are known for their use in architecture photography – but food photographers can also make good use of them, thanks to their capacity to change the focus plane (which allows you to extend the depth of field).

The Nikon 85mm f/2.8D is a tilt-shift lens, one that offers a nice food photography focal length, a wide maximum aperture, plus close-focusing capabilities. If you’re a food photography specialist and you’re looking for more glass to expand your capabilities, then I’d recommend you check this lens out.

On the other hand, it’s quite pricey, and the average food photographer won’t need the tilt-shift capabilities – so only invest if you know you’ll have a use for it.

Which food photography lens is best for you?

Choosing the best lens for food photography isn’t easy, and you should always consider the type of images you want to take before making a purchase.

If you work in a studio setting, you’ll often have plenty of space, so you’ll do fine with a longer focal length. You’ll also have control over the lighting, so a narrow maximum aperture isn’t such a big deal.

On the other hand, if you work on location, you’ll be going into different kitchens with all sorts of conditions; here, a versatile lens is key.

Finally, make sure to consider your budget. The lenses recommended in this article range from under $300 to over $2000, and while glass is important, there’s no need to overspend. The investment you make should always be linked to your experience level. Are you a beginner or are you already getting professional jobs? If you’re making a living from food photography, then it’s worth considering high-end lenses, as they’ll pay off. Otherwise, stick to cheaper options.

Now over to you:

Which food photography lens do you plan to buy? And do you have any recommendations of your own? Share your thoughts in the comments below!

The post The 12 Best Lenses for Food Photography (in 2023) appeared first on Digital Photography School. It was authored by Ana Mireles.

After years of waiting, it’s finally happened: Nikon has officially announced the Z8, a pro-level mirrorless camera that combines speed, high-resolution imaging, and class-leading video into a single package.

As we previously reported – based on information supplied by Nikon Rumors – the Z8 is similar to Nikon’s flagship camera, the Z9, though it features a few crucial differences. According to Nikon’s press release: 

“The Z8 condenses the advanced functionality and performance of the flagship Nikon Z9 into a compact and lightweight body while also maintaining superior robustness and reliability. The Z8 is ideal for a variety of image creators who seek new possibilities for visual expression in a wide range of genres and subjects, such as landscapes, wild birds, airplanes, portraits, and weddings.”

In other words, the Z8 echoes the feature set of the Z9, though it sheds the built-in vertical grip for added portability and comes with a slightly more palatable price tag.

The Z8 offers the same powerful full-frame 45.7 MP sensor found in the Z9, which boasts enough resolution for serious landscape and commercial shooters as well as top-notch low-light capabilities for event and street photographers. The Z8’s autofocus system, too, comes from the Z9, and Nikon has even added a few upgrades, including focusing down to -9 EV; in other words, the Z8 will be lightning-fast in a wide range of conditions and should easily satisfy serious sports, wildlife, and other action photographers.

Action shooters should also appreciate the impressive 20 FPS RAW continuous shooting speeds (which jumps to 30 FPS if you switch the image format to JPEG), perfect for freezing split-second moments. Nikon has also added another handy action-snapping feature: Pre-Release Capture, a mode that “allows the capture of images up to one second before the shutter-release button is fully pressed.” Thanks to Pre-Release Capture, you can effectively produce photos of scenes that have already happened. 

And the Z8, like the Z9, isn’t just a stills-capable camera. Nikon’s newest mirrorless model packs outstanding video features, such as 8K/30p and 4K/120p recording. The Z8 also features in-body image stabilization for reduced camera shake – a handy tool for both still and video shooters.

The Z8 may not be as expensive as the Z9 (which currently retails for $5497), but it doesn’t come cheap. You can currently preorder the camera for $3997 (body only), and units will start shipping toward the end of May. 

So if you’re a serious photographer who likes the performance of the Z9 but can’t stomach its price tag, consider the Z8. It’s an all-rounder camera that won’t let you down, whether you shoot landscapes, wildlife, sports, events, portraits, and so much more.

Now over to you:

What do you think of the Nikon Z8? Are you interested in purchasing it? Share your thoughts in the comments below!

The post Nikon Announces the Z8, With a 45 MP Sensor, 8K Video, and More appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

Are you a thrill-seeker who loves creating stunning images of your adventures? Whether you’re scaling a mountain peak, exploring the ocean depths, or trekking through remote wilderness, adventure photography offers a unique opportunity to memorialize breathtaking moments and create lasting memories. But to get the best shots, you need the right camera – and choosing the perfect model can be overwhelming.

Fear not! I’ve compiled a list of 10 of the best cameras for adventure photography, ranging from affordable options for beginners to high-end models for experienced shooters. Whether you’re looking to upgrade your current camera or invest in your first serious unit, I’ve got you covered.

Why is it so important to have the right camera for adventure photography, you ask? Well, think about it: you’re taking photos in some of the most challenging and dynamic environments, where the lighting conditions, weather, and terrain can change in an instant. You need a camera that can keep up with you, withstand rough handling, and deliver stunning results.

So let’s buckle up and dive into my first recommendation:

1. Canon EOS R10

Need a camera that can capture your adventures and withstand your fast-paced lifestyle? Look no further than the Canon EOS R10! This entry-level mirrorless camera was launched in May 2022, and it’s perfect for adventure photography.

One of the best things about the EOS R10 is its 24-megapixel sensor, which allows you to take stunning images with plenty of detail. Plus, the fully articulating screen makes it easy to view your shots in crystal-clear definition, even in bright sunlight. And if you’re into action and high-speed adventuring, you’ll be pleased to know that the Canon EOS R10 has a shooting speed of 15 frames per second – perfect for capturing mountain bikers, bungee jumpers, or any other fast-moving subject.

Not only is the Canon EOS R10 light and powerful, but it’s also incredibly versatile. You can pair it with any of the RF lenses in Canon’s lineup to capture stunning wide-angle shots, beautiful telephoto images, and everything in between.

And if that wasn’t enough, the Canon EOS R10 offers 4K video recording capabilities, so you can relive your adventures in stunning detail. Bottom line: Whether you’re looking to capture photos or video, the Canon EOS R10 is a fantastic choice for any adventure photographer.

 2. Olympus Tough TG-6

The Olympus Tough TG-6 is the ultimate camera for adventurous souls who love to explore uncharted territories and capture epic moments along the way. Built to withstand the toughest environments, this camera is a durable and reliable companion; it can handle pretty much anything you throw at it, from hiking through backcountry trails to backpacking up steep mountains.

With its weatherproof construction and anti-fog properties, the Olympus Tough TG-6 can brave extreme conditions without compromising on image quality. Plus, it’s waterproof up to 49 ft (15 m), making it the perfect choice for capturing marine life while snorkeling or diving. You can snap up to 20 frames per second so you don’t miss a single moment, and with the 8x zoom, you can easily capture a variety of shots by zooming in or out.

But that’s not all. This camera also comes with built-in Wi-Fi, allowing you to track your location and easily share your photos with friends and family. And if you’re a fan of videography, you’ll love its 4K Ultra HD video recording capabilities.

Overall, the Olympus Tough TG-6 is a must-have for adventure junkies who want to document their travels in stunning detail.

3. Pentax K1 Mark II

Looking for a camera that can keep up with your adventurous spirit? Check out the Pentax K1 Mark II! This rugged DSLR is perfect for all your outdoor excursions, and its 36.4-megapixel full-frame sensor delivers top-notch image quality every time you press that shutter button.

The K1 Mark II has some seriously impressive features that earned it a spot on our list. For instance, if you’re shooting in bad weather, don’t worry – the K1 Mark II has got you covered with its fantastic weather seal.

And let’s not forget about the impressive 3.2″ LCD, which lets you preview and review your shots with ease. The K1 Mark II also offers access to the fantastic range of Pentax K-mount lenses, so you can always find the perfect glass for your needs. Plus, it can capture 4K time-lapses and comes with built-in GPS to help you track your position while photographing.

One of the most outstanding features of the K1 Mark II is its dynamic pixel shift resolution system. This records four files that are subsequently aligned and merged to create one high-resolution photo with greater detail, dynamic range, and reduced noise. Plus, the ISO range goes up to an impressive 819,200, giving you excellent low-light capabilities!

In short, if you’re looking for a camera that can handle literally anything, the Pentax K1 Mark II is the way to go.

4. OM SYSTEM OM-1

The OM-1 – from OM SYSTEM (formerly Olympus) – is a game-changer. This Micro Four Thirds camera uses next-generation technology to deliver high-quality images and amazing high-speed shooting performance.

It boasts an impressive 1053 autofocus points that cover the entire sensor, resulting in faster and more accurate performance. This camera is perfect for hobbyists and professionals who want to capture wildlife and action shots, and it excels in low-light conditions, making it perfect for those adventurous night scenes. And the best part? Its image stabilization is so good that you can ditch the tripod, even when the light is extremely low.

The OM-1 is also incredibly reliable, capable, and resilient, making it an excellent choice for adventure photographers who need a camera that can keep up with their adventures. And since it’s so comfortable to hold, you can focus on capturing amazing shots without worrying about hand fatigue or discomfort.

If you’re looking for a lightweight camera that won’t compromise on performance, the OM-1 Digital Camera is definitely worth considering. Say goodbye to heavy gear and hello to more freedom and flexibility on your next adventure!

5. Sony a7 IV

Are you ready to step up your adventure photography game? Look no further than the Sony A7 IV – a top-of-the-line mirrorless camera that’s perfect for enthusiast photographers and professionals alike.

With an incredible 33 megapixels, the A7 IV delivers stunning image quality that will blow you away. Plus, its lightning-fast autofocus and 10 frames-per-second continuous shooting make it a great choice for capturing fast-paced action with ease. And thanks to its impressive tracking capabilities, you won’t miss a single shot.

But that’s not all – the A7 IV offers excellent video capabilities, delivering gorgeous 4K footage that will bring your adventures to life like never before. Plus, it’s equipped with slots for SD memory cards and CFexpress Type A cards, and it features a handy vari-angle touchscreen LCD.

One thing’s for sure: This camera will exceed your expectations when it comes to low-light shooting. So whether you’re documenting a high-speed mountain bike race or capturing the beauty of a starry night sky, the Sony A7 IV will get the job done.

6. Canon EOS R5

As an adventure and travel photographer, I’m always looking for ways to lighten my load and make my gear more manageable. That’s where the Canon EOS R5 comes in – it’s a mirrorless camera that’s significantly lighter than Canon’s bulky DSLR models, making it a breeze to carry on long hikes and climbs. And if you’re lugging your gear over miles of rough terrain, your back will thank you for choosing a lighter option.

One of the EOS R5’s standout features is its image stabilization, which eliminates the need for a tripod and allows you to shoot handheld in low light with ease. No matter the scenario, you can rely on the R5 to produce sharp, stable images.

If you’ve already invested in Canon’s EF lenses, don’t worry – the R5 is compatible with them with the help of a handy adapter. And even if you’re starting from scratch with the new RF lenses, the quality and range available are top-notch.

Of course, none of this would matter if the R5 didn’t take incredible photos. Luckily, it does. The autofocus is lightning-fast and incredibly accurate, making it a breeze to capture fast-moving subjects like wildlife or action sports. And with 45 megapixels of resolution and top-notch ISO capabilities, you can be sure that your photos will be sharp, vivid, and full of detail.

Finally, it’s worth mentioning that the R5 is built to last. It’s tough and durable, which is essential for any camera that’s going to be taken on outdoor adventures. All in all, the Canon R5 is an excellent choice for anyone who wants a reliable, high-performing camera for adventure photography.

7. Fujifilm X-T100

Are you a beginner in adventure photography in search of a camera that’s easy to use, portable, and won’t break the bank? Then I highly recommend the Fujifilm X-T100! This lightweight and compact camera is a fantastic entry-level option that’s perfect for capturing all your outdoor escapades.

Equipped with a 24.2 megapixel APS-C sensor, this mirrorless camera produces high-quality images that’ll make your adventures look stunning. It’s versatile enough to handle various lighting conditions, from bright daylight to low-light scenarios. And thanks to a flexible rear screen that tilts up and down and flips outwards, you can frame your shots from any angle.

The X-T100 also features an electronic viewfinder and impressive battery life, so you won’t miss a shot while you’re out exploring. Plus, with a continuous shooting speed of 6 frames per second, you can capture every moment of your adventures.

In short, the Fujifilm X-T100 is an excellent camera for adventure photographers who want a high-quality, user-friendly camera that won’t weigh them down or break the bank.

8. Fujifilm X-H2

If you’re an experienced adventure photographer looking for a camera that can handle any shooting scenario, the Fujifilm X-H2 is an outstanding pick.

With a whopping 40.2-megapixel sensor, this camera delivers stunning high-resolution images. And thanks to its intuitive autofocus system, you can track subjects like animals, cars, and people with ease.

But that’s not all – the X-H2 also features up to 7 stops of image stabilization, which means you can shoot handheld at slower shutter speeds and still come away with crisp, sharp shots. And if you want to capture stunning 8K video while you’re out in the field, the X-H2 has got you covered.

With 9 weather-seal points, it’s built to withstand even the toughest outdoor conditions. Dust and moisture won’t stand a chance. But perhaps the best part? The X-H2 has dual card slots, including one CFexpress Type B memory card slot and one UHS-II SD memory card slot – so you’ll never have to worry about running out of storage space in the middle of a shoot.

In short, the Fujifilm X-H2 is the perfect camera for any adventure photographer who demands the best of the best.

9. Nikon Z6 II

If you’re an adventurer at heart and want a camera that can keep up with your passion, the Nikon Z6 II is one of the best options out there. It’s a vast improvement over its predecessor, the Z6, thanks to the valuable feedback from users.

One of the most impressive features of this camera is its autofocus and tracking functionality, which is second to none. The camera boasts 273 autofocus points, ensuring you never miss a shot. Plus, it comes with an additional card slot so you won’t run out of storage space while in the field.

The Nikon Z6 II is a dream come true for any experienced amateur or enthusiast photographer who’s looking for a high-performing camera that’s perfect for adventure photography. Its impressive 24.5-megapixel sensor and incredible low-light shooting performance make it an absolute winner, and let’s not forget its stunning 4K video capabilities. With this camera, you’ll be able to relive your adventures in cinematic quality, which is perfect for sharing with friends and family.

But what really sets this camera apart? Its portability. At just 1.6 lb (705 g), it’s easy to carry around wherever your adventures take you. Plus, its Vibration Reduction will help you capture fast-moving shots with limited camera shake so you can create truly epic images.

10. Nikon D3500

Looking for that perfect camera that’s both reasonably well-built and only costs a few hundred dollars? The Nikon D3500 is the way to go. It’s an all-around DSLR that’s great for beginners but packs a serious punch.

With 24.2 megapixels, a 3″ fixed screen, and a 5 frames-per-second continuous shooting speed, you can capture crystal-clear shots with ease. Plus, it has 1080p video capabilities, so you can create decently high-quality videos of your adventures.

While mirrorless cameras may be more modern than DSLR cameras, the Nikon D3500 is still a very capable option. The only potential drawback is that the AF system may be less advanced compared to today’s mirrorless cameras. But don’t let that discourage you! This sturdy, rugged, budget-friendly option is adventure-proof, making it an excellent choice for capturing all of your adrenaline-fueled moments.

Which adventure photography camera is right for you?

Now that you’ve finished this article, you should be familiar with some of the best cameras for capturing your most breathtaking adventures. From the rugged Pentax K1 Mark II to the lightweight Canon EOS R10, and the waterproof Olympus Tough TG-6 to the high-quality OM SYSTEM OM-1, there’s something for every type of photographer.

Whether you’re a seasoned professional or a beginner, these cameras offer the perfect combination of durability, flexibility, and performance to capture your experiences in stunning detail. So why not pick your model of choice and hit the trails? You never know what kind of adventure awaits you.

Now over to you:

Which of these adventure photography cameras do you like the most? Do you have a favorite that didn’t make our list? Share your thoughts in the comments below!

The post 10 Best Cameras for Adventure Photography (in 2023) appeared first on Digital Photography School. It was authored by Jeremy Flint.

Canon’s professional super-telephoto lens lineup is nearly complete.

Since the launch of the RF-mount, the company has released a series of class-leading ultra-telephotos to suit professional sports and wildlife photographers, including the RF 400mm f/2.8L IS USM, the RF 600mm f/4L IS USM, the RF 800mm f/5.6L IS USM, and even the (ridiculously expensive) RF 1200mm f/8L IS USM. 

The April debut of the RF 100-300mm f/2.8L IS USM further rounded out the lineup, but with a notable gap: Canon has yet to develop a 500mm f/4L. Sure, you can grab the RF 100-500mm f/4.5-7.1, but the zoom’s variable aperture is a major limitation, especially for folks who frequently shoot in low-light scenarios. A pro-level 500mm lens should feature an f/4 maximum aperture, outstanding build quality, top-tier optics, and blazing-fast autofocus – and while the 100-500mm zoom is a powerful option, it can’t quite compete.

Fortunately, while Canon hasn’t teased an upcoming 500mm f/4 launch, Canon Rumors promises “an official announcement later in 2023” for “an RF version of the EF 500mm f/4L IS USM II.”

The lens may not be a simple RF-mount 500mm f/4 prime, however; instead, CR writes, “The most consistent bits of information that we have received suggest that the RF version of the 500mm will…be a zoom in the form of an RF 200-500mm f/4L IS USM 1.4x. With the TC engaged, you’ll get a 280-700mm f/5.6L IS USM.”

Assuming that the 200-500mm f/4L boasts all the characteristics of the original 500mm f/4L, just with zoom capabilities, it would be an unprecedented release. An f/4 super-telephoto zoom that reaches 500mm has not, to my knowledge, ever been developed – and with the built-in 1.4x teleconverter, it’ll extend to a whopping 700mm, perfect for photographing birds, small wildlife, and distant athletes. Plus, thanks to the shorter telephoto focal lengths, you’ll be able to capture a variety of subjects and compositions without needing to switch lenses at critical moments.

Of course, a pro-level super-telephoto zoom will presumably come with a pro-level price tag. Canon Rumors suggests that “we’ll be getting another five-figure lens from Canon,” which certainly seems plausible (I’d predict an MSRP in the $11000-14000 range). 

In other words, while a high-quality 200-500mm f/4L zoom would be hugely effective for pro and semi-pro wildlife photographers, sports photographers, and more, it’s unlikely to be accessible to most beginners and enthusiasts. Still, the lens would certainly make waves in the industry, and for serious shooters, it could be a game-changer!

Now over to you:

What do you think of a 200-500mm f/4L zoom? Would you be interested? Share your thoughts in the comments below!

The post Canon’s Rumored Super-Telephoto Lens: The RF 200-500mm f/4L 1.4x appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

I was sent the Zhiyun Fiveray F100 LED Light Stick a while back, and now that I’ve spent some time putting it to the test, I’m ready to share my thoughts. While it’s a great LED-based photo and video (and whatever else you’d like to use it for) light, it has one large flaw that saw me stashing it back in its case a few times.

But don’t fret; not all is lost! The Zhiyun Fiveray F100 is a very capable light and has many selling points. Let’s dive right in…

The Fiveray F100 LED Light Stick: overview

The Fiveray F100 LED Light Stick from Zhiyun-Tech is a lightweight, portable, and very versatile 100W LED light for photographers, content creators, filmmakers, and vloggers. Featuring an output of 1200 lux at 3.3 ft (6200K), it has a CRI of 96 and a TLCI of 97 for color accuracy. It also has a variable color temperature of 2700-6200K.

The precise color adjustability allows you to match ambient conditions and other light fixtures; it also allows you to produce creative effects. You can choose between CCT, HSI, and FX light-effect modes with variable light intensities from 0% to 100%. There are also six creative lighting effects: SOS, Fire, TV, Flash, Faulty Bulb, and Candle.

Ideal for various applications, the F100 is powered by six integrated 2600 mAh lithium batteries that last 31 minutes when the light is set to full brightness. It supports 100W PD fast charging via its USB-C port.

The stick light has a 1/4″-20 mounting thread hole so you can attach it to your compatible supports. The package also includes modifiers specifically designed for the F100 model, such as 2-leaf barndoors, a diffuser, and a grid. It also comes with a USB-C charging cable and a storage bag.

The Fiveray F100 LED Light Stick: performance

First of all, for those of you that haven’t used a lot of LED lighting before, the F100 Light Stick’s CRI of 96 is considered just fine (Color Rendering Index, or CRI, is a measurement of how natural colors render under an artificial white light source when compared with sunlight).

As for the TLCI: It’s not something I’ve paid any attention to in the past, but some say it’s very important. (TLCI, or Television Lighting Consistency Index, is a single averaged score up to 100 that is determined by the color response that would result when using a video camera. A TLCI in the range 85-100 doesn’t need any color correction, a 70-85 score would need a simple correction, and a 50-70 score would need complex color correction.)

That’s a lot of words that basically say, “It’s the right color.” Having used the product myself, I agree: It does pretty well! I’ve used two of the F100 lights on a menu shoot, and the colors came out great. (Unfortunately, my client has requested that I don’t share the images publicly.)

The biggest thing for me when using a light bar on a food shoot is being able to control the illumination effectively. I want the light coming out of the LED to go to where I want it to go, and while it’s certainly not as easy to direct as a conventional set of lights (I typically use a pair of Westcott FJ400 strobes, which are Bowens mount lights and have an array of light modifiers), the Zhiyun Fiveray F100 comes with a cute little grid modifier that easily attaches around the light. It also comes with a handy set of barn doors; while these offer less control than the grid, they certainly allow you to stop some of the light spill that’s typically produced by light fixtures like the Fiveray F100.

Note that you can use the Fiveray F100 to achieve a range of color temperatures. Here, the same light stick has produced a very warm light as well as a much cooler light:

The 100W-rated LED light also has a handy suite of built-in lighting effects, including SOS, TV, Faulty Bulb, Candle, Flash, and Fire. They’re all pretty good, and if you’re making a film or a TikTok for your photography business, maybe you could use one of the effects (or maybe not; it’s up to you!).

While we’re talking about filming and effects, it’s worth mentioning that the unit can get warm. However, it does have a smart built-in fan array that automagically keeps the operation of the LED at a totally workable temperature. With all the fans and airflow, the F100 certainly isn’t waterproof or splashproof, so don’t take it in the pool!

With the CCT mode giving you color temperatures from 2700-6200K (warm to cool whites) and the HSI mode giving you plenty of colors, the light is a really handy addition to your camera bag. Make no mistake, it’s not going to replace a set of studio lights or even a well-powered pair of flash units, but for adding creative light and for doing photography closer up, the Fiveray F100 is a well-priced option that you should consider.

The main drawback

I did start this article by mentioning a problem with the Fiveray F100, and I really feel like I need to mention it. After experiencing this design flaw myself and doing some research (just to make sure I wasn’t doing it all wrong!), I have come to realize that others are having a similar experience.

Specifically, the main dial that controls all of the features of the light is almost impossible to use.

I don’t have special thumbs – they’re not extra slippy! I just found that controlling the power output of the F100, as well as switching between modes and working through an effect, was a time-consuming and often frustrating experience. Midway through setting a color or a power output setting, the light would change modes or flick into an effect.

If I had all the time in the world and I were working on my own on a project with these lights, they would be fine. However, if I were using them in a production environment with others, the time spent fiddling around would just be too much, I fear.

The Fiveray F100 LED Light Stick: final words

The Fiveray F100 LED Light Stick is a great light for smaller projects (though if you need to flick between modes, it’s important that you’re not faced with time constraints). And if you can just set and forget these lights – for instance, if you’re using them to light your live stream with one consistent color and power output – they’re excellent!

They come in a nice compact carry case with their modifiers, and they can also be charged via USB-C (PD). PD means that charging is fast, and you can also use the light while it’s charging!

But if the control dial was larger and had a rubberized finish, I really do think the Fiveray F100 would be a much better product.

The post Zhiyun Fiveray F100 LED Light Stick Review: A (Mostly) Great Light appeared first on Digital Photography School. It was authored by Sime.

It’s official (or about as official as it’ll ever be):

The Nikon Z8, the long-awaited full-frame mirrorless camera that we first discussed over three years ago, will debut on May 10th, 2023. While Nikon hasn’t technically confirmed the Z8’s announcement, the imaging company has scheduled a “5.10.23 Launch Event” YouTube live stream.

How do we know that the launch is for the Z8? As Nikon Rumors pointed out, if you look carefully at the question mark in the bottom right-hand corner of the launch event graphic, you can see the outline of an “8” – plus, the timeline corresponds closely with NR’s previous reporting, which predicted a launch date in April or May. 

While we don’t have any confirmed Z8 details, and while Nikon Rumors has emphasized that “some of [its rumored specifications] will not be correct,” here are just a few of the camera’s likely features:

• A 45.7 MP full-frame sensor
• 20 FPS RAW continuous shooting
• A 3.69M-dot EVF
• A design that mirrors the Z6 and Z7
• In-body image stabilization
• 8K/60p video
• Dual CFexpress and SD card slots

In fact, some of NR’s sources have labeled the Z8 as a “mini” or “baby” Z9, which is Nikon’s current flagship mirrorless model; it offers breathtaking AF capabilities, a 45 MP sensor, an ultra-rugged body, and 8K/60p video, though it also costs a whopping $5,500. The Z9 sports a built-in vertical grip, though as I noted above, the Z8 will likely use a design similar to the (more compact) Z6 and Z7. 

The Z8, therefore, should be suited to generalist professionals and serious enthusiasts who are willing to pay for high-level gear but aren’t looking for a rugged, action- and wildlife-focused design. The new camera will boast in-body image stabilization, a high-resolution sensor, and dual card slots to satisfy professionals, yet the smaller form factor and the presumably reduced price will make it a better choice for travel photographers as well as slightly more casual shooters.

So if you’re interested in a full-frame mirrorless model that offers the power of the Z9 without the bulky body and the eye-watering price tag, keep an eye out for the Z8! 

Now over to you:

What do you think of the Nikon Z8? Will you purchase it? What do you hope it offers? Share your thoughts in the comments below!

The post The Nikon Z8 Will Be Announced on May 10th appeared first on Digital Photography School. It was authored by Jaymes Dempsey.